dreamless dream and nameless name
Hold onto your voice. Hold onto your breath. Don't make a noise, don't leave the room until I come back from the dead for you. I will come back from the dead for you. This could be a city. This could be a graveyard. This could be the basket of a big balloon. Leave the lights on. Leave a trail of letters like those little knots of bread we used to dream about. We used to dream about them. We used to do a lot of things. Put your hand to the knob, your mouth to the hand, pick up the bread and devour it. I'm in the hallway again, I'm in the hallway. The radio's playing my favourite song. Leave the lights on. Keep talking. I'll keep walking toward the sound of your voice.

Read the Printed Word!

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419 notes bohemea: Tilda Swinton at age 3 The only frame of truly unique value [above], since it is the only one of someone, at 3, who had not yet learned to be shy, having never yet seen a picture of herself. This is her—invaluable and inviolable—context. Without that enviable luxury, these days, it is my honor to make shapes with photographers in the spirit of trust and playfulness, to provide the material of presence. It represents a kind of friendship in action: the surest route I have found back to the kindness of the kindergarten. Tilda Swinton on Being Photographed - Time, December 8th 2011

bohemea:

Tilda Swinton at age 3

The only frame of truly unique value [above], since it is the only one of someone, at 3, who had not yet learned to be shy, having never yet seen a picture of herself. This is her—invaluable and inviolable—context. Without that enviable luxury, these days, it is my honor to make shapes with photographers in the spirit of trust and playfulness, to provide the material of presence. It represents a kind of friendship in action: the surest route I have found back to the kindness of the kindergarten.

Tilda Swinton on Being Photographed - Time, December 8th 2011

(Source : TIME, via swintons)

419 notes · tilda swinton,
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